The Media Research Center has spent a lot of time throwing hate at the new superhero movie “Captain Marvel,” fretting that the film may too politically correct for its right-wing sensibilities.
On March 4, Gabriel Hays cited an interview with star Brie Larson to claim the film examined “intersectional feminism” and was going to “flow down the PC sewer” with its “female-centric gaze.” Hays went on to tout the “strong pre-release boycott of this film due to Larson’s PC pulpit.”
Biased reviewer Christian Toto trashed “Captain Marvel” in a March 9 post that started off not by examining the film itself but by attacking Larson for having “railed against too many white male reporters, trumpeted the film’s feminist agenda and dictated which under-represented writers could pen her glossy magazine profiles.” It’s not until the sixth paragraph that Toto finally gets around to addressing the actual film, sniffing that it “suffers from anemic characters, lame comic relief and, worst of all, a talented actress who’s all wrong to play a superheroine.”
But the MRC’s narrative must be served, and he bashes one character for being “always around the corner, telling Vers she’s too hysterical to make an impact. How did Alexandria Ocasio-Cortez not score a cameo?” He concludes by huffing that the film “cares far more about lecturing audiences than entertaining them.”
Hays returned to spend a March 9 post being triggered that the film was promoted on the Twitter account of the late Stan Lee:
If your feminist superhero movie is losing in the court of public opinion and millions of dollars are on the line, how far would you go to save face? Well if you’re Marvel, I guess you might drag up the ghost of Stan Lee to do some last minute PR. An effective tactic? Er, maybe … ? Creepy and ghoulishly opportunistic? You betcha.
There’s plenty of buzz surrounding Marvel’s latest blockbuster film Captain Marvel, but it’s due less to excitement about the movie itself and more to the political comments made by the film’s creators and its star Brie Larson, who say it could be the “biggest feminist movie of all time.” Needless to say, superhero fans are tired of hearing about how this movie appropriately tackles “intersectional feminism” and other progressive tropes, so many have taken online to push for a boycott.
Of course that means it’s time for Marvel to start overcompensating. Besides continuing to push a “woke” political agenda that many mainstream critics have been eating up (pre-release reviews are oh so positive at the moment), the company employed a social media seance and now Twitter users have to endure the horror of the deceased Stan Lee tweeting at them to go see a crappy girl power movie.
While Hays and Toto rooted for the film to be a bomb, they were surely disappointed that non-triggered fans didn’t agree; “Captain Marvel” grossed a massive $153 million on its opening weekend.
But the MRC didn’t back off. A March 15 item by Clay Waters bashed the New York Times for reporting on how the movie review site Rotten Tomatoes revamped its scoring system to discount pre-release attacks by trolls doing the same thing that Hays did by whining about the film being too PC. “The article was an amusing example of how avidly the ostensibly anti-capitalist left will defend a multi-billion dollar capitalist enterprise (Marvel Studios and its ongoing myriad-film superhero saga) when the right (‘troll’) enemies are lined up on the other side,” Waters huffed.