Elise Ehrhard is the Media Research Center’s main person for complaining that there are too many non-heterosexual people on TV or that fictional characters are not dutifully spouting the right-wing narratives she demands. Ehrhard had a pronoun meltdown in a Feb. 29 post:
Last night, the ABC sitcom Abbott Elementary introduced a substitute second grade teacher who uses the “non-binary” fake pronoun “mx” with students.
[…]
In the episode, “Breakup,” substitute teacher Cassidy Geoffrey (Sabrina Wu) fills in for Janine (Quinta Brunson), a second grade teacher who left to take a fellowship with the school district.Up until this scene, there is little indication that Cassidy falls into any sort of invented gender category. She has a short haircut and androgynous clothes, but who cares? Her outfits are not out of the ordinary.
In many ways, kooky Cassidy is a perfect representative for the immature Tumblr madness of invented gender pronouns. “Mx,” pronounced “mix,” is gobbledygook that is being embraced by left-wing LGBTQUIA “educators.” It confuses vulnerable young children in both grammar and human biology.
The episode at least refused to make Cassidy an idealized, perfect person, which is rare for LGBTQUIA television characters nowadays.
“If we took out those quirks [Cassidy’s], it wouldn’t be funny. It’s hard to have people of certain identities presented as perfect because then what is there to laugh at?” episode writer Brittani Nichols told Entertainment Weekly.
Nonetheless, the episode’s casual use of “Mx” on the blackboard further normalizes nonsense and wrongly perpetuates the idea that foisting adult gender confusion on early elementary school children is acceptable.
Ehrhard didn’t explain why it’s any of her business what people choose to call themselves.
Ehrhard was angry that an illegal immigrant was portrayed as an actual human being in a March 20 post:
Network television regularly portrays illegal aliens as sympathetic characters. Last night’s episode of CBS’ FBI did exactly that.
In the episode, “Sacrifice,” the FBI is called in on a kidnapping case. The victim is Matthew Sawyer (Christian Conn), director of a New York City shelter housing “migrants.” “Migrants” is deceptive left-wing code for illegal aliens.
The mayor’s office called the FBI because the “migrant thing’s a hot button issue for them.” Footage of the overcrowded shelter had been leaked to the press, embarrassing the mayor, so cameras outside the shelter were disabled. Virtue-signaling as a sanctuary city has its costs.
[…]Criminals sex offenders crossing over our wide open border is one of the most disturbing consequences of unvetted illegals. This episode turns that problem on its head — the illegal immigrant is instead a former cop who fought sex offenders.
Television procedurals almost never use true stories of sex criminals illegally entering the U.S as a plot device. Such horrors go against the open borders narrative and must be suppressed.
[…]The episode dutifully follows Hollywood television rules on illegal immigration: an illegal must be a sympathetic character whose situation tugs at your heart strings and the villains must be American white guys. In trying to manipulate an audience, FBI checked all the left-wing boxes this week.
Similarly, Ehrhard failed to explain why all immigrants must be demonized as filthy criminals. She had another rant against immigrants looking normal in a March 27 post:
Fox’s drama The Cleaning Lady is a propaganda vehicle for open borders advocates. Last night, it romanticized illegals and portrayed a cartel leader as someone who cares about his human cargo.
The series revolves around Thony (Elodie Yung), a crime scene “cleaner” for a fictional Mexican cartel.
On Tuesday’s episode, “Agua, Fuego, Tierra, Viento,” Thony drives through the desert border to rescue her sister-in-law Fiona (Martha Millan) and nephew Chris (Sean Lew).
Fiona and Chris are illegal immigrants from the Philippines. They were deported last season and are trying to sneak back into the country again with Thony’s help.
[…]The episode’s villains are instead American vigilantes who hunt down and kill illegals in the desert. The vigilantes are white, of course, and their caricatured dialogue is cringeworthy. The female vigilante is named “Barbie” and her male companion is dumb and creepy. Like so many network shows, the bloodthirsty pair are a left-wing fantasy of illegal immigration opponents.
[…]Network shows portray white Americans as so stupid and evil that you have to wonder why anyone from another country would want to live in the United States if this fiction were really true. Jorge and Thony leave the two Americans in the desert to die.
“Let the animals take care of them. They can see what it’s like,” Jorge says. Jorge is a murderous human trafficker who is angry at the Americans for being cruel.
Jorge and Thony find Fiona and Chris and reunite them with friends and family in the United States. Everyone is one big, happy family again.
Hollywood regularly pushes open borders narratives, but “Agua, Fuego, Tierra, Viento” was one of the most infuriating episodes I’ve seen on television. It dripped with hatred of the United States, glorified illegal activity and made a human trafficker look heroic.
Yes, Ehrhard finds it “infuriating” that immigrants aren’t demonized as her right-wing ideology dictates they must.