The Media Research Center has spent the past few years hating the children’s cartoon “Arthur” because it committed the offense of being relevant to the lives of its viewers — thus, the MRC’s meltdowns over the show featuring a same-sex marriage and discussing racism. Now that the show is ending its 25-year run on PBS, Elise Ehrhard devoted a Jan. 23 post — headlined “Get Woke, Go Broke” — to baselessly blaming those two episodes for the show ending:
After spending recent seasons alienating parents across America with homosexual and BLM propaganda, PBS Kids’ Arthur, the longest running animated children’s series ever on television, is officially getting the ax.
On January 18, the public broadcaster announced that the final four episodes of the series will be released next month. How did PBS Kids manage to ruin an iconic cartoon beloved by generations?
First, the series announced in spring 2019 that Mr. Ratburn, Arthur’s teacher, was homosexual and premiered an episode with a gay wedding.
[…]As if confusing prepubescent kids about sexuality wasn’t enough “wokeness” for the show, it then premiered a short BLM-themed segment in the summer of 2020 which attempted to teach kids how to be “anti-racist” (i.e. Marxist). Arthur and his friend Buster talked about a video they saw of a cop killing a black person. Buster asked, “But how could it happen here, in Elwood City, outside the Sugar Bowl?” Elwood City is populated by animals.
Gosh, I wonder why this established show with high name recognition had middling ratings as of late?
Never mind, of course, that Ehrhard offered no evidence whatsoever to back up her contention that the episodes that offended her so much are the direct cause of the show’s cancellation. Nevertheless, she whined that the show’s content will move online, meaning that “parents who want to teach their kids about gay and anti-racist anthropomorphized animals, will have to seek out such content online.” She concluded by sneering: “Maybe PBS Kids will learn from this and quit the woke nonsense on children’s programming, but I doubt it. Marxists cannot help pushing their agenda on kids.”
Pretty much what you’d expect to hear from some one who thinks that merely acknowledging the existence of non-heterosexual people and racism is “propaganda.”
This wasn’t the only show the MRC was upset with for failing to be sufficiently heterosexual. Rachel Peterson huffed in a Jan. 25 post:
This is a warning to parents who want to introduce their children to their childhood favorite, “The Proud Family” – the upcoming reboot of it…is really “proud.”
If you don’t remember, the animated series “The Proud Family” aired from 2001 to 2005 and “[follows] the adventures and misadventures of Penny Proud as she does her best to navigate through the early years of teen-dom,” according to the original version of the show’s description on IMDb.
The show and the subsequent reboot are rated TV-Y7, which is designed for children ages seven and up. But the new reboot has themes and characters that may not be appropriate for children.
In the age of reboots, Disney+ is revamping the animated series with the upcoming “The Proud Family: Louder and Prouder,” airing on February 23rd. This new take on an old classic gets both louder and prouder in the way of pushing the LGBTQ agenda. The show heavily leans into this as, according to producer Ralph Farquhar, the biggest change in the show is the “introduction of LGBTQ+ characters.”
Yes, Peterson thinks that acknowledging the biological reality that people can be other than heterosexual is “not appropriate for children.”
Peterson went on to grouse about the LGBTQ talent that would supplying voices for some characters in the reboot, including Lil Nas X, over whom the MRC spent last year being repeatedly triggered.
The MRC had previously grumbled that “The Proud Family” reboot would not be for its pro-heterosexual-obsessive employees.